Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Samuel Scott
Capture of the Spanish Galleon Nuestra Senora de Cavagonda by the British ship Centurion during the Anson Expedition

ID: 60742

Samuel Scott Capture of the Spanish Galleon Nuestra Senora de Cavagonda by the British ship Centurion during the Anson Expedition
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Samuel Scott Capture of the Spanish Galleon Nuestra Senora de Cavagonda by the British ship Centurion during the Anson Expedition


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Samuel Scott

1702-1772 British Samuel Scott Gallery (b London, c. 1702; d Bath, 12 Oct 1772). English painter. In 1725 a sea-piece ascribed to Scott appeared at auction in London. In 1727 he was appointed Accomptant in the Stamp Office, Lincoln's Inn Square, London, an office he held for 28 years at an annual salary.  Related Paintings of Samuel Scott :. | A wharf on the River Thames | Capture of the Spanish Galleon Nuestra Senora de Cavagonda by the British ship Centurion during the Anson Expedition | Diamond Head from Tantalus | Admiral Vernon capture of Porto Bello in 1739. | Part of Old Westminster Bridge |
Related Artists:
Henri Millot
(1699 -1756 ) - Painter
Peter Adolf Hall
painted Self-portrait in before 1793(1793)
Aleksander Gierymski
Warsaw 1850-1901 Rome, Brother of Maks Gierymski. He studied (1867) at the Warsaw Drawing Class, then (1868-73) at the Akademie der Bildenden Kenste in Munich under Georg Hiltensperger (1806-90) and Alexander Strehuber (1814-82), and later under Karl Theodor von Piloty. While in Munich he contributed illustrations to Polish, German and Austrian magazines. On a visit to Venice and Verona in 1871 he was especially impressed by the work of 15th-century Venetian artists; this new enthusiasm was reflected in his prize-winning painting of a subject set by the Munich Akademie, a scene from Shakespeare's Merchant of Venice (1872; destr., see Starzynski, pl. 4). After accompanying his dying brother Maks to various spa towns and other locations, he settled in Rome in mid-1874. Two genre scenes from this period, Roman Tavern and A Game of Mora (both 1874; Warsaw, N. Mus.), show the influence of Dutch painting. Gierymski remained in Italy until 1879, mostly resident in Rome.






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